Quickie: Fashion with Powell Styling...

I've never really considered myself a "fashion" photographer by any means, but with the evolving photography business it would be a mistake to turn down almost any job at this point.  So I perused some magazines and checked out some blogs to get an idea of what exactly fashion photography has grown into.  And I'm still not quite sure I understand it anyway.
But don't think for a second that I'm gonna let a lack of understanding stop me!!  Diving right in I had an opportunity to work with one of the best that fashion and styling has to offer... My friend and stylist Kate Powell of Powell Styling (www.powellstyling.com) I shot these around downtown Manhattan on a bright sunny day but using the tall buildings as reflectors and flags was able to get some different and really interesting light.  Using my trusty Canon EOS-1Ds Mark II and single White Lighting 1600w Strobe plugged into a Vagabond battery pack the shoot went off without a problem.  With 6 wardrobe/makeup changes in a matter of 3 hours it was a great shoot and a great team effort to have everything come together and get some great promo pieces for Kate's styling company. 

7" Reflector just off camera center using Daylight to accent the hair

7" reflector with barn doors to create a more focused light

90% daylight with a softbox used to balance out the shadows
White card behind reflecting good ol' fashioned daylight

It was amazing being in downtown Manhattan on a bright sunny day and just working the shadows and mixed light that filtered through the buildings to create all kinds of lighting situations within such a short time period.  You don't need sunset and a beach house to shoot fashion... you just need a little bit of planning and a great stylist.

Big thanks to Kate Powell of Powell Styling, Kristen Quinn our ever patient model, and my assistants for the day Evan and Emily.  Any questions that you guys might have about what I've done and how I did it... email me.  James@JamesDouglasStudio.com

- JD

As always you guys can check out the WEBSITE here... www.JamesDouglasStudio.com
Follow me on TWITTER here... www.twitter.com/TheJamesDouglas
And LIKE something decent for once...  www.Facebook.com/TheJamesDouglasStudio

Ahhhhhh the self promo...

Every photographer needs to have a firm understanding of marketing in order to be successful, after all you are selling something, are you not??  A lot of you, including yours truly, often default to the trusty self promo.  Many photographers have a file that they send out at regular intervals to keep interest in their work ongoing and keep themselves from fading into obscurity.  Now a small e-mail blast containing a PDF seems to be the way to go these days, but now more than ever people are often abusing Twitter and Facebook with continuous and obnoxious status updates that are more of an ego boost than actual help to your business.  Someone re-tweets a post of yours and you feel as though you've accomplished something, which is probably not the case.   I'm not saying you shouldn't keep your friends and family updated... but maybe 65-100 times a day is a bit much.

That being said, as I'm sure many of you know how hard it is to get a call back from a email blast.  Here's a little math to help some of you understand a bit better.  With an email blast, you might get lucky and have around 5% of your emails even opened.   Of that 5% maybe 10% will actually visit your website.  Lets do a little math... that means that if you send out 1000 emails you hope to have a grand total of 50 people even open the email.  Of those 50 people (who may not even be able to help you) only 5 of them will actually visit your website; that's VISIT your website... not call you to hire you... just visit your website.  All you may have accomplished is taking up some space in an art buyers inbox and thus annoyed them... awesome.

Clearly I want this post to be somewhat helpful.  So here's something that has worked for me.  GO OLD SCHOOL!!  For the first 3 years of my "career" I lived in a tiny Astoria apt and struggled to make any headway.  I kept up with the tweeting and the facebooking and the whatever-ing with little to no success.  After visiting with a few art buyers and creative directors I began to see a trend... while in their offices I noticed that many of their walls were covered in a massive collage of magazine clippings and little bits photography and business cards.  With a little closer inspection I noticed that they were all from some seriously notable photographers... people I had even studied in college!!  Even while I was in their offices many of them would refer to said wall and tell me to "check this guy out" or "we're looking for this."  It dawned on me that there was not a single piece of my work on these walls... and I aimed to fix that.  I went back to my "studio" and immediately began creating a tangible hard copy representation of my work that I would ship out to these people by mail.  The response was astounding... I mailed about 200 of these promos to the exact people that I wanted to work with.  Out of the 200... over 150 ended up calling or emailing me, and of those I began working relationships with dozens of them mostly because I simply didn't have the time to work with 150 different clients from my super awesome Astoria based "studio."  When sending someone something that they can hold and touch, there's a far greater chance that they will actually take the time to look at it... especially knowing that you took the time to prepare it.  I have since asked many of the buyers I now work with how they deal with these, and they all seem to agree that they will look over any promo that comes across their desk but will almost always discard e-mailers.  That's just the way that goes.

This is one page of the promo that I sent a while back... with a few larger "hero" shots included in the package as well.



Mailed in a clear envelope so there was no mistaking what was inside and they could see the photos right away without having to work.  Speed and easy access to the photography is key.  You don't need strings/folds/or fancy wax seals with your initials to have them know who you are.  That's just a pain in the ass for them to deal with and not appreciated.  Be clever... not obnoxious.

It's funny because I always figured my "big break" would find me one day, and it had never really occurred to me that I would be able to create my own.   That was 2 years ago and 80+ happy clients later... so right now with the new studio down here in lower Manhattan, I'm preparing my second major self promo release and expanding to include my new studio manager, Erica.  I would love to hear what you guys have to say about which photos I should include... if you want a promo or just to weigh in, email me at James@JamesDouglasStudio.com

To see some seriously creative promos check here... http://www.pdngallery.com/contests/selfpromo/2009/flash_module.shtml


- JD


As always you guys can check out the WEBSITE here... www.JamesDouglasStudio.com
Follow me on TWITTER here... www.twitter.com/TheJamesDouglas
And LIKE something decent for once...  www.Facebook.com/TheJamesDouglasStudio

Quickie: The Rockettes...

Don't have a whole lot of time to spend on this sort of thing at the moment but I wanted to be sure to get some BTS(Behind The Scenes) out there to help you guys out with some quick questions I've been getting... so I'm going to introduce the "Quickie" a short update about recent shoots I've had, problems I've run into, and techniques I've been using. Keep an eye out for more of these in the near future, especially if you've specifically emailed me a question.

Many of you know that I recently photographed The Rockettes at Radio City Music Hall for Fitness Magazine last week.  With the high profile client there were some special rules I had to contend with and be .   Not being able to plug into their power source without a permit and restrictions set on what kind of lighting I could bring because it is a union house and there are big rules at Union houses... I even had to have a union worker consulted when setting up my single light source... seen below.  But they were more than accommodating, and just needed to run things by the book.





I'm using my "travel kit" here with my White Lightning 1600w strobe attached to their new Vagabond II bat pac.  Modified with a super easy to use large Photoflex soft box atop my Ultralight Lightgear USA stand... all of which will break down to about the size of a backpack and weigh a little more than 10lbs (minus the battery pack of course)  Shot with my trusty Canon Mark II Ds at 1/50th and F/8.

Not a very complicated setup but when used properly... can really create some beautifully dramatic lighting. Just ask Zack Arias legendary music photographer and creator of the One Light Workshop.  Look for the final image in the November issue of Fitness Magazine and be sure to check up on their website for some exclusive video from the shoot. 


Had an amazing time on the shoot and as always feel free to email me your questions and I'll try to get back to you as quick as I can...  James@JamesDouglasStudio.com

- JD


As always you guys can check out the WEBSITE here... www.JamesDouglasStudio.com
Follow me on TWITTER here... www.twitter.com/TheJamesDouglas
And LIKE something decent for once...  www.Facebook.com/TheJamesDouglasStudio