James Douglas Prints... for Sale??

I've been asked by a number of people recently if I have any of my "fine art" available for sale... and it hadn't really occurred to me until I just sold a bunch of them that I could even do such a thing.  I've got some semi-popular images that have sold fairly well to friends of friends and misc others but I never thought there was a market for the majority of my work in this way.  I guess I was wrong...

So I'm officially introducing a way for you all to buy prints from me in the coming weeks.  Will introduce either a "STORE" option on the website/here or maybe we'll just give it a try via emails and paypal at first.  HA!  As far as prices... I have no idea... but depending on size and demand probably somewhere between $19.95 and $8,076,500... sound good??

Below are a couple of my winter shots from my travels that I've sold to people and galleries here in NYC and around the country...  If you've seen a shot of mine in the past that you like but can't seem to find, feel free to email me anytime. James@JamesDouglasStudio.com

- JD


Wolverine Cirque, February 2008
Silver Fork, February 2008
Loveland Colorado, 2008
Solitude Utah, December 2008
Utah, January 2008 (huge!)


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Quickie: Fashion with Powell Styling...

I've never really considered myself a "fashion" photographer by any means, but with the evolving photography business it would be a mistake to turn down almost any job at this point.  So I perused some magazines and checked out some blogs to get an idea of what exactly fashion photography has grown into.  And I'm still not quite sure I understand it anyway.
But don't think for a second that I'm gonna let a lack of understanding stop me!!  Diving right in I had an opportunity to work with one of the best that fashion and styling has to offer... My friend and stylist Kate Powell of Powell Styling (www.powellstyling.com) I shot these around downtown Manhattan on a bright sunny day but using the tall buildings as reflectors and flags was able to get some different and really interesting light.  Using my trusty Canon EOS-1Ds Mark II and single White Lighting 1600w Strobe plugged into a Vagabond battery pack the shoot went off without a problem.  With 6 wardrobe/makeup changes in a matter of 3 hours it was a great shoot and a great team effort to have everything come together and get some great promo pieces for Kate's styling company. 

7" Reflector just off camera center using Daylight to accent the hair

7" reflector with barn doors to create a more focused light

90% daylight with a softbox used to balance out the shadows
White card behind reflecting good ol' fashioned daylight

It was amazing being in downtown Manhattan on a bright sunny day and just working the shadows and mixed light that filtered through the buildings to create all kinds of lighting situations within such a short time period.  You don't need sunset and a beach house to shoot fashion... you just need a little bit of planning and a great stylist.

Big thanks to Kate Powell of Powell Styling, Kristen Quinn our ever patient model, and my assistants for the day Evan and Emily.  Any questions that you guys might have about what I've done and how I did it... email me.  James@JamesDouglasStudio.com

- JD

As always you guys can check out the WEBSITE here... www.JamesDouglasStudio.com
Follow me on TWITTER here... www.twitter.com/TheJamesDouglas
And LIKE something decent for once...  www.Facebook.com/TheJamesDouglasStudio

Ahhhhhh the self promo...

Every photographer needs to have a firm understanding of marketing in order to be successful, after all you are selling something, are you not??  A lot of you, including yours truly, often default to the trusty self promo.  Many photographers have a file that they send out at regular intervals to keep interest in their work ongoing and keep themselves from fading into obscurity.  Now a small e-mail blast containing a PDF seems to be the way to go these days, but now more than ever people are often abusing Twitter and Facebook with continuous and obnoxious status updates that are more of an ego boost than actual help to your business.  Someone re-tweets a post of yours and you feel as though you've accomplished something, which is probably not the case.   I'm not saying you shouldn't keep your friends and family updated... but maybe 65-100 times a day is a bit much.

That being said, as I'm sure many of you know how hard it is to get a call back from a email blast.  Here's a little math to help some of you understand a bit better.  With an email blast, you might get lucky and have around 5% of your emails even opened.   Of that 5% maybe 10% will actually visit your website.  Lets do a little math... that means that if you send out 1000 emails you hope to have a grand total of 50 people even open the email.  Of those 50 people (who may not even be able to help you) only 5 of them will actually visit your website; that's VISIT your website... not call you to hire you... just visit your website.  All you may have accomplished is taking up some space in an art buyers inbox and thus annoyed them... awesome.

Clearly I want this post to be somewhat helpful.  So here's something that has worked for me.  GO OLD SCHOOL!!  For the first 3 years of my "career" I lived in a tiny Astoria apt and struggled to make any headway.  I kept up with the tweeting and the facebooking and the whatever-ing with little to no success.  After visiting with a few art buyers and creative directors I began to see a trend... while in their offices I noticed that many of their walls were covered in a massive collage of magazine clippings and little bits photography and business cards.  With a little closer inspection I noticed that they were all from some seriously notable photographers... people I had even studied in college!!  Even while I was in their offices many of them would refer to said wall and tell me to "check this guy out" or "we're looking for this."  It dawned on me that there was not a single piece of my work on these walls... and I aimed to fix that.  I went back to my "studio" and immediately began creating a tangible hard copy representation of my work that I would ship out to these people by mail.  The response was astounding... I mailed about 200 of these promos to the exact people that I wanted to work with.  Out of the 200... over 150 ended up calling or emailing me, and of those I began working relationships with dozens of them mostly because I simply didn't have the time to work with 150 different clients from my super awesome Astoria based "studio."  When sending someone something that they can hold and touch, there's a far greater chance that they will actually take the time to look at it... especially knowing that you took the time to prepare it.  I have since asked many of the buyers I now work with how they deal with these, and they all seem to agree that they will look over any promo that comes across their desk but will almost always discard e-mailers.  That's just the way that goes.

This is one page of the promo that I sent a while back... with a few larger "hero" shots included in the package as well.



Mailed in a clear envelope so there was no mistaking what was inside and they could see the photos right away without having to work.  Speed and easy access to the photography is key.  You don't need strings/folds/or fancy wax seals with your initials to have them know who you are.  That's just a pain in the ass for them to deal with and not appreciated.  Be clever... not obnoxious.

It's funny because I always figured my "big break" would find me one day, and it had never really occurred to me that I would be able to create my own.   That was 2 years ago and 80+ happy clients later... so right now with the new studio down here in lower Manhattan, I'm preparing my second major self promo release and expanding to include my new studio manager, Erica.  I would love to hear what you guys have to say about which photos I should include... if you want a promo or just to weigh in, email me at James@JamesDouglasStudio.com

To see some seriously creative promos check here... http://www.pdngallery.com/contests/selfpromo/2009/flash_module.shtml


- JD


As always you guys can check out the WEBSITE here... www.JamesDouglasStudio.com
Follow me on TWITTER here... www.twitter.com/TheJamesDouglas
And LIKE something decent for once...  www.Facebook.com/TheJamesDouglasStudio

Quickie: The Rockettes...

Don't have a whole lot of time to spend on this sort of thing at the moment but I wanted to be sure to get some BTS(Behind The Scenes) out there to help you guys out with some quick questions I've been getting... so I'm going to introduce the "Quickie" a short update about recent shoots I've had, problems I've run into, and techniques I've been using. Keep an eye out for more of these in the near future, especially if you've specifically emailed me a question.

Many of you know that I recently photographed The Rockettes at Radio City Music Hall for Fitness Magazine last week.  With the high profile client there were some special rules I had to contend with and be .   Not being able to plug into their power source without a permit and restrictions set on what kind of lighting I could bring because it is a union house and there are big rules at Union houses... I even had to have a union worker consulted when setting up my single light source... seen below.  But they were more than accommodating, and just needed to run things by the book.





I'm using my "travel kit" here with my White Lightning 1600w strobe attached to their new Vagabond II bat pac.  Modified with a super easy to use large Photoflex soft box atop my Ultralight Lightgear USA stand... all of which will break down to about the size of a backpack and weigh a little more than 10lbs (minus the battery pack of course)  Shot with my trusty Canon Mark II Ds at 1/50th and F/8.

Not a very complicated setup but when used properly... can really create some beautifully dramatic lighting. Just ask Zack Arias legendary music photographer and creator of the One Light Workshop.  Look for the final image in the November issue of Fitness Magazine and be sure to check up on their website for some exclusive video from the shoot. 


Had an amazing time on the shoot and as always feel free to email me your questions and I'll try to get back to you as quick as I can...  James@JamesDouglasStudio.com

- JD


As always you guys can check out the WEBSITE here... www.JamesDouglasStudio.com
Follow me on TWITTER here... www.twitter.com/TheJamesDouglas
And LIKE something decent for once...  www.Facebook.com/TheJamesDouglasStudio

The Importance of Archiving...

Keep your photos... Keep your photos... Keep your photos!!

It's a great rule to live by and one I adhere to vehemently. Now I'm not talking about the first pull of the trigger when you realize that your last shoot was at night and now you're working midday, or the one of your beat up/out of focus chucks. Once you get yourself dialed in and begin shooting you really shouldn't delete anything. Digital storage is getting cheaper and cheaper, and unless you are shooting 1000 frames a day with a 60MP Hasselblad I think we can afford to fill up an external hard drive or two, especially when 2TB of WD My Book Studio space will set you back less than $200. Sometimes on the slower days... and don't look at me like you've never had a slow day or two... I really enjoy going back through some of my shoots and just hunting for those hidden gems. A quirky smile from a model that the client didn't like but another may love, sometimes the client doesn't appreciate the pristine landscape that you just happened upon mid shoot. And without a doubt it's those fresh eyes that will let you even notice these tucked away in the rest of the madness.

My best example of this was when I spent 5 months skiing and helicoptering all over the Rocky Mountains. When I came back I had over 14,000 images to sift though... even though I had obviously done some editing in the field, and by field I mean a log cabin in the middle of nowhere. After about 6 months and all of the shots were in their respective magazines I went back through and managed to pull out enough keepers and heroes to support a gallery showing of my work!! Most of the reason I had missed these was because I was so focused on the editorial side of the fence, and being on the phone with art buyers/photo editors who had a specific niche to fill didn't help either. Being able to go back and view the body of work as a whole allowed me to create an incredible collection that really spoke to the culture and stunning beauty that is big mountain skiing.

It's hard to know what you might come up with when you go back and sift through that old work of yours but if you took your time and made some great images the first go round... then they could be even better the second time.

- JD


Here's an "outtake" I took exiting a decent of Loveland Pass in Colorado. The shot used in the magazine was one of my pal Ross McDonald dropping a tremendous pillow line, but both he and I agree that skiing under this 30+ year old abandoned ski lift was far more memorable.



And this one below was taken in Utah as part of a series I was doing on the ski patrollers of the Wasatch range... but without a patroller in the frame... the client skipped right over it. Even though I believe it to be a great representation of the lifestyle of those guys.





 
 
 
 
 
 
As always you guys can check out the WEBSITE here... www.JamesDouglasStudio.com
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It's All About The MunNY... or not...

With the fast paced times here in NYC its very hard to make time for yourself let alone to have spare time to help out a charity... but if you want to keep your karma moving in the right direction its important to make time. I had a recent chance to do so when the interactive agency Profero asked me to photograph 23 New York designers and their work for a charity auction supporting the Robin Hood Foundation. Many of you may be wondering what medium could possibly bring 23 of the worlds top designers together in one room for one show. The answer is easy... Kid Robot's iconic Munny doll.

Photographing 23 different designers in 23 different locations in 2 weeks took some serious dedication on behalf of the Profero staff to put this all together. Being able to meet and speak with these designers face to face, from veterans Vladamir Kagan and Karim Rashid to the next greats like Marc Thorpe and Joe Doucet, was such a rewarding experience in itself, being able to do this to support a charity I really believe in was a huge bonus.

Here's just a few of the dolls that I shot in the studio.






For a complete list of all the designers involved in the project check out the site here... www.munnyexhibit.com

- JD

As always you guys can check out the WEBSITE here... www.JamesDouglasStudio.com
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Persistence...

There are people who say that "the early bird gets the worm" or that "positive thoughts = positive results" and as true as those statements may be... there is nothing to me that counts more than persistence. I've had so many doors(well... metaphorical doors) slammed in my face so many times, it began to take its toll on me both emotionally and professionally. I began to doubt myself and my abilities to create great work. After a while I started to think that I wasn't going to be able to "make it" in this highly subjective and crowded business. After countless emails and office visits, always going back again and again... but never to the point of stalking or having security know me by name, except for one building that shall not be named... I was given a chance. And I believe that a chance is what 90% of all struggling photographers are looking for, just that one break that will make their career a reality. As much as I would like to tell you that it only takes one chance, one moment, one gig to create a career in this business, that is simply not the case.

I like to think of this business as a bit of a track meet, and more specifically the hurdles. Everyone is allowed a bit of space to get up to speed, and some are faster than others but you should always know that there will be a hurdle coming soon. Those who run too fast and didn't prepare will crash into that first hurdle and their race is over. Once you can see that first hurdle you should begin preparing yourself and when you get there you want to be sure you get over it cleanly/neatly and with a business card in hand. After you clear that first hurdle you have to immediately begin thinking about the next o
ne or you won't have enough time to get ready. Its a long race and the good ones... the really really good ones are looking much further down the track than you are. They know that each hurdle as trivial and meaningless as it may seem has just as much a chance to trip them up as any other. Some artists seem to think that this race is a sprint and that it will be over shortly... but it isn't, and the only thing that is going to get you over all these hurdles is persistence.

And maybe a little air time...

- JD



This shot was taken with my Canon Mark IIDs 24-70mm at F11 and 1/500th of a second with nothing but good old fashion sunlight.


As always you guys can check out the WEBSITE here... www.JamesDouglasStudio.com
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